Contemporary Abstract Art of Taiwan Exhibition Ⅱ-Hidden Vision 【臺灣當代抽象藝術展】隱藏的視界二部曲
May 18 - May 29, 2019
Contemporary Abstract Art of Taiwan Exhibition – Hidden Vision II
This exhibition, Hidden Vision II, showcases the work of eight mid-generation Taiwanese artists born between 1970 and 1979: Liu Wen-De, Wu Yin-Hai, Wang Kung-Tse, Tai Chia-Ju, Lo Jui-Lin, Hsu Kuo-Yu, Ko Wei-Kuo, and Chao Lu-Chia. These artists have not followed prevailing artistic trends nor have they conformed to the aesthetic tastes of mass culture. Instead, they have steadfastly chosen the transcendent path of abstract painting—infusing their works with personal introspection, philosophical reflection, and deeply felt experiences of nature, life, and self-cultivation. Through this, they redefine the relationship between abstract language and their own artistic intentions.
Liu Wen-De embraces a poetic and contemplative dialogue with both nature and the self. His work reveals the depth of a literati spirit—rich in emotional resonance, tinged with gentle melancholy, and grounded in mindful detachment.
Wu Yin-Hai explores the rising and falling of inner thoughts, journeying inward toward self-cultivation and ultimate metaphysical awareness. His intuitive calligraphic compositions distill the spiritual essence of the present moment with clarity and precision.
Wang Kung-Tse examines the interconnection of emotion and space, repeatedly probing the relationship between life and time. The traces of hand-drawn measurements and temporal divisions express the dynamic rhythm of living nature.
Tai Chia-Ju’s paintings emerge from a state of self-forgetting—a gaze turned inward and upward. Her works generate an elusive visual aura, impossible to focus on, yet constantly beckoning—evoking her spiritual pursuit of the “other shore.”
Lo Jui-Lin sees painting not merely as a record of experience, but as experience itself. Each brushstroke becomes part of a meditative process of self-realization, capturing fleeting moments of spiritual illumination.
Hsu Kuo-Yu blends dream and reality through emotional resonance. Her hazy landscapes emanate a quiet sensitivity, expressing deep feelings toward life and an earnest pursuit of ideals.
Ko Wei-Kuo constructs shifting visual fields through subtle gradations of ink dots. His compositions oscillate between clarity and ambiguity, forming new visual orders that emerge from his internal calibration and extension of perception.
Chao Lu-Chia captures fleeting emotional states and the meeting point of awareness and sensation. Through simplified color schemes, she translates lived experience into pure form, documenting moments of profound psychological activity.
Together, these eight artists transcend visible surfaces to explore realms beyond appearance. Their practices extend into personal expression and forge symbolic connections with the surrounding world. Each presents a unique vocabulary of abstract language, highlighting the ever-evolving and unpredictable nature of abstraction. Rooted in personal, cultural, and environmental experiences, their works seek the precise harmony between the material and the spiritual, demonstrating abstract painting’s ongoing capacity for transformation and expression. Through these freely developed vocabularies, they offer contemporary interpretations of literati spirit and the poetic rhythms of life.
臺灣當代抽象藝術展 - 隱藏的視界 二部曲
臺灣當代抽象藝術展-隱藏的視界 二部曲，邀請了1970~1979出生的八位臺灣中青世代的藝術家 : 劉文德、吳銀海、王公澤、戴佳茹、羅睿琳、許國鈺、柯偉國與趙璐嘉。他們沒有追隨藝術流行的發展趨勢，也不願意屈服於大眾文化素質的審美品味，而是頑強地選擇了具有超然物外性格的抽象繪畫，融入個人化的心象或思緒上的辯證，包含對理想的追尋與對自然的獨特直觀體驗，或是對生活的體驗，甚至是朝向個人修為的內觀世界，重新定義了抽象語彙與自身創作意圖的連結性。
劉文德以獨特文人修心的自得體驗，帶著詩人氣質的飽和情感與淡淡哀愁，展現他同大自然與己心，隨緣的閱讀與對話。
吳銀海洞察內心思緒的生滅，朝向終極道體的內觀世界與個人修為的探索，精準地凝鍊當下直觀所完成的精神性直覺書寫。
王公澤透過情意的抒發與空間的連結，反覆玩味探測生命與時間的關係。保留徒手與尺規測量繪製的時間性切割痕跡表達自然活躍的生命。
戴佳茹的作品是物我兩忘、向內凝視並向上仰望而乍現的意境。一種令視覺無法對焦卻又不斷向人召喚的靈光氛圍，傳達她對彼岸的精神追尋。
羅睿琳的創作並不只是紀錄一種經驗，而是作畫的過程本身就是一種經驗，亦是她自見本性的默觀過程，靈光閃動記錄的片段。
許國鈺隨著情意揉合現實與夢幻，表達她對生命的感動及對理想的追尋。迷離的景緻卻散發出對生命的感動。
柯偉國濃淡有致的墨點所構成的視界處於流變之中，在視覺反覆對焦的虛實裡重新凝聚生成，進入他內在調整後所延伸的世界。
趙璐嘉捕捉當下情緒狀態和意識相遇的時刻，轉化生命經驗的覺知以單純的色彩配置，記錄了她個人深刻的精神活動。
這八位藝術家經由創作探觸隱藏在可見的表象之外的境界，尋求個人化的表現，進一步擴及到對外在環境的多義性心象聯結，發展出多元的抽象表達，呈現出抽象藝術無可預測的多變輪廓，創立基於自身的環境與文化體驗中所經驗的抽象，在物質世界和精神世界的對話中，尋找內在心理聯繫的準確契合點，顯示了抽象繪畫不斷轉化與發展的可能，以更自由開放的自我抽象語彙詮釋當代文人精神與生命情調。
This exhibition, Hidden Vision II, showcases the work of eight mid-generation Taiwanese artists born between 1970 and 1979: Liu Wen-De, Wu Yin-Hai, Wang Kung-Tse, Tai Chia-Ju, Lo Jui-Lin, Hsu Kuo-Yu, Ko Wei-Kuo, and Chao Lu-Chia. These artists have not followed prevailing artistic trends nor have they conformed to the aesthetic tastes of mass culture. Instead, they have steadfastly chosen the transcendent path of abstract painting—infusing their works with personal introspection, philosophical reflection, and deeply felt experiences of nature, life, and self-cultivation. Through this, they redefine the relationship between abstract language and their own artistic intentions.
Liu Wen-De embraces a poetic and contemplative dialogue with both nature and the self. His work reveals the depth of a literati spirit—rich in emotional resonance, tinged with gentle melancholy, and grounded in mindful detachment.
Wu Yin-Hai explores the rising and falling of inner thoughts, journeying inward toward self-cultivation and ultimate metaphysical awareness. His intuitive calligraphic compositions distill the spiritual essence of the present moment with clarity and precision.
Wang Kung-Tse examines the interconnection of emotion and space, repeatedly probing the relationship between life and time. The traces of hand-drawn measurements and temporal divisions express the dynamic rhythm of living nature.
Tai Chia-Ju’s paintings emerge from a state of self-forgetting—a gaze turned inward and upward. Her works generate an elusive visual aura, impossible to focus on, yet constantly beckoning—evoking her spiritual pursuit of the “other shore.”
Lo Jui-Lin sees painting not merely as a record of experience, but as experience itself. Each brushstroke becomes part of a meditative process of self-realization, capturing fleeting moments of spiritual illumination.
Hsu Kuo-Yu blends dream and reality through emotional resonance. Her hazy landscapes emanate a quiet sensitivity, expressing deep feelings toward life and an earnest pursuit of ideals.
Ko Wei-Kuo constructs shifting visual fields through subtle gradations of ink dots. His compositions oscillate between clarity and ambiguity, forming new visual orders that emerge from his internal calibration and extension of perception.
Chao Lu-Chia captures fleeting emotional states and the meeting point of awareness and sensation. Through simplified color schemes, she translates lived experience into pure form, documenting moments of profound psychological activity.
Together, these eight artists transcend visible surfaces to explore realms beyond appearance. Their practices extend into personal expression and forge symbolic connections with the surrounding world. Each presents a unique vocabulary of abstract language, highlighting the ever-evolving and unpredictable nature of abstraction. Rooted in personal, cultural, and environmental experiences, their works seek the precise harmony between the material and the spiritual, demonstrating abstract painting’s ongoing capacity for transformation and expression. Through these freely developed vocabularies, they offer contemporary interpretations of literati spirit and the poetic rhythms of life.
臺灣當代抽象藝術展 - 隱藏的視界 二部曲
臺灣當代抽象藝術展-隱藏的視界 二部曲，邀請了1970~1979出生的八位臺灣中青世代的藝術家 : 劉文德、吳銀海、王公澤、戴佳茹、羅睿琳、許國鈺、柯偉國與趙璐嘉。他們沒有追隨藝術流行的發展趨勢，也不願意屈服於大眾文化素質的審美品味，而是頑強地選擇了具有超然物外性格的抽象繪畫，融入個人化的心象或思緒上的辯證，包含對理想的追尋與對自然的獨特直觀體驗，或是對生活的體驗，甚至是朝向個人修為的內觀世界，重新定義了抽象語彙與自身創作意圖的連結性。
劉文德以獨特文人修心的自得體驗，帶著詩人氣質的飽和情感與淡淡哀愁，展現他同大自然與己心，隨緣的閱讀與對話。
吳銀海洞察內心思緒的生滅，朝向終極道體的內觀世界與個人修為的探索，精準地凝鍊當下直觀所完成的精神性直覺書寫。
王公澤透過情意的抒發與空間的連結，反覆玩味探測生命與時間的關係。保留徒手與尺規測量繪製的時間性切割痕跡表達自然活躍的生命。
戴佳茹的作品是物我兩忘、向內凝視並向上仰望而乍現的意境。一種令視覺無法對焦卻又不斷向人召喚的靈光氛圍，傳達她對彼岸的精神追尋。
羅睿琳的創作並不只是紀錄一種經驗，而是作畫的過程本身就是一種經驗，亦是她自見本性的默觀過程，靈光閃動記錄的片段。
許國鈺隨著情意揉合現實與夢幻，表達她對生命的感動及對理想的追尋。迷離的景緻卻散發出對生命的感動。
柯偉國濃淡有致的墨點所構成的視界處於流變之中，在視覺反覆對焦的虛實裡重新凝聚生成，進入他內在調整後所延伸的世界。
趙璐嘉捕捉當下情緒狀態和意識相遇的時刻，轉化生命經驗的覺知以單純的色彩配置，記錄了她個人深刻的精神活動。
這八位藝術家經由創作探觸隱藏在可見的表象之外的境界，尋求個人化的表現，進一步擴及到對外在環境的多義性心象聯結，發展出多元的抽象表達，呈現出抽象藝術無可預測的多變輪廓，創立基於自身的環境與文化體驗中所經驗的抽象，在物質世界和精神世界的對話中，尋找內在心理聯繫的準確契合點，顯示了抽象繪畫不斷轉化與發展的可能，以更自由開放的自我抽象語彙詮釋當代文人精神與生命情調。
